Arab Americans are one of the most misunderstood segments of the U.S. population, especially after the events of 9/11. In Arab America, Nadine Naber tells the stories of second generation Arab American young adults living in the San Francisco Bay Area, most of whom are political activists engaged in two culturalist movements that draw on the conditions of diaspora, a Muslim global justice and a Leftist Arab movement.

The state of Michigan hosts one of the largest and most diverse Arab American populations in the United States. As the third largest ethnic population in the state, Arab Americans are an economically important and politically influential group. It also reflects the diversity of national origins, religions, education levels, socioeconomic levels, and degrees of acculturation. Despite their considerable presence, Arab Americans have always been a misunderstood ethnic population in Michigan, even before September 11, 2001 imposed a cloud of suspicion, fear, and uncertainty over their ethnic enclaves and the larger community. In Arab Americans in Michigan Rosina J. Hassoun outlines the origins, culture, religions, and values of a people whose influence has often exceeded their visibility in the state.

Between Arab and White focuses on the first wave of Arab immigration and settlement in the United States in the years before World War II, but also continues the story up to the present. It presents an original analysis of the ways in which people mainly from current day Lebanon and Syria--the largest group of Arabic-speaking immigrants before World War II--came to view themselves in racial terms and position themselves within racial hierarchies as part of a broader process of ethnic identity formation.

In the aftermath of 9/11, many Arab and Muslim Americans came under intense scrutiny by federal and local authorities, as well as their own neighbors, on the chance that they might know, support, or actually be terrorists. As Louise Cainkar observes, even U.S.-born Arabs and Muslims were portrayed as outsiders, an image that was amplified in the months after the attacks.

In We Too Sing America, nationally renowned activist Deepa Iyer catalogs recent racial flashpoints, from the 2012 massacre at the Sikh gurdwara in Oak Creek, Wisconsin, to the violent opposition to the Islamic Center of Murfreesboro, Tennessee, and to the Park 51 Community Center in Lower Manhattan.

When he first showed up at Captain Ali's run-down boxing club, Saed was mocked for his bourgeois manners then humiliated in the ring. After barely a year of training, he has been consumed by the world of boxing and tipped for greatness. As his star rises, Saed is faced with the challenger he came for, but at what cost?

Isra Shadi, a twenty-one-year-old woman of mixed Palestinian and white descent, lives in California with her paternal amu (uncle), amtu (aunt), and cousins after the death of her mother and abandonment by her father at a young age. Ever the outcast in her amu and amtu's household, they eagerly encourage Isra to marry and leave. After rejecting a string of undesirable suitors, she marries Yusef, an old love from her past. In Amreekiya, author Lena Mahmoud deftly juggles two storylines, alternating between Isra's youth and her current life as a married twentysomething who is torn between cultures and trying to define herself.

The semiautobiographical work chronicles the adventures of two young men, Khalid and Shakib, who leave Lebanon for the United States to find work as peddlers in Lower Manhattan. After mixed success at immersing themselves in American culture, the two return to the Middle East at a time of turmoil following the Young Turk Revolution in the Ottoman Empire.

Award-winning novelist Randa Jarrar's new story collection moves seamlessly between realism and fable, history and the present, capturing the lives of Muslim women and men across myriad geographies and circumstances. With acerbic wit, deep tenderness, and boundless imagination, Jarrar brings to life a memorable cast of characters, many of them "accidental transients"--a term for migratory birds who have gone astray--seeking their circuitous routes back home.

Saleh is a middle-aged Iranian journalist who moonlights as a writer for one of Iran's most popular TV shows but cannot keep himself away from the front lines in neighbouring Iraq and Syria.

A modern-day political thriller, The Time Remaining grapples with murder, romance, and international politics.

The idea of disease as punishment drives this collection's themes of shame, illness, grief, and gender, transmuting religious narratives through the lens of a young Arab-American woman suffering a taboo female affliction. Deluge investigates the childhood roots of faith and desire alongside their present day enactments.

Footnotes in the Order of Disappearance, Fady Joudah has written love poems to the lovely and unlovely, the loved and unloved. Here he celebrates moments of delight and awe with his wife, his mentors, his friends, and the beauty of the natural world. Yet he also finds tenderness for the other, the dead, and the disappeared, bringing together the language of medicine with the language of desire in images at once visceral and vulnerable.

The Funambulists brings together the diverse poetry collections of six contemporary Arab diasporic women poets. Spanning multiple languages and regions, this volume illuminates the distinct artistic voice of each poet, yet also highlights the aesthetic and political relevance that unites their work.

In poised yet unrelenting lyric poems, Shanahan--queer and mixed-race--confronts the challenges of a complex cultural inheritance, informed by colonialism and his mother's immigration to the United States from Morocco..

Intensely personal and marked with a trenchant wit, these poems form a memoir following Halaby's life as they explore the disorientation of exile, the challenge of navigating two cultures, and the struggle to shape her own creative identity. She shares the pain and confusion of growing up-the need for belonging and the solace of community-with tenderness and fearless candor.

The Prophet is a book of 26 prose poetry fables written in English by the Lebanese-American artist, philosopher and writer Kahlil Gibran. Originally published in 1923, it is Gibran's best known work and has been translated into over 40 different languages.